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Drawing Lessons from the Great Masters, by Robert Beverly Hale
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A book whose sales have not diminished but rather increased dramatically since its publication 45 years ago, this bestselling classic is the ultimate manual of drawing taught by the late Robert Beverly Hale, who’s famed lectures and classes at New York City’s Art Student League captivated artists and art educators from around the world.
Faithfully producing and methodically analyzing 100 master drawings—including works of Michelangelo, Leonardo da Vinci, Rodin, Goya, and Rembrandt among others—Hale shows how these artists tackled basic problems such as line, light and planes, mass, position and thrust, and anatomy. With detailed analytical captions and diagrams, every lesson is clearly delineated and illustrated. Throughout, also, is commentary that sheds light on the creative process of drawing and offers deep insight into the unsurpassed achievements of the masters.
- Sales Rank: #87970 in Books
- Color: Drawing Lessons From The Great Masters
- Brand: WATSON-GUPTILL
- Published on: 1989-08-01
- Released on: 1989-08-01
- Original language: English
- Number of items: 1
- Dimensions: 10.84" h x .80" w x 8.20" l, 1.33 pounds
- Binding: Paperback
- 272 pages
- Watson-Guptill Books-Drawing Lessons From The Great Masters
About the Author
ROBERT BEVERLY HALE was the Curator of American Paintings and Sculpture at the Metropolitan Museum of Art, a world-renowned teacher at New York Student’s Art League for 40 years, and Adjunct Professor of Drawing and Lecturer on Anatomy at Columbia University. He also co-authored Anatomy Lessons from the Great Masters.
Most helpful customer reviews
132 of 134 people found the following review helpful.
'THE' book for the student of classical figure drawing
By David Lovegrove
This wonderful book by R.B.Hale is one of the most profound works ever written concerning not just classical life drawing but also the principles underpinning all good drawing. I am a working artist,illustrator and drawing teacher who studied at one of the few really good traditional art schools in the world (we did nothing else but draw and paint the figure, the plaster cast and still lives), and this book was recommended as a worthy text. At first I ignored it because of one silly remark old Robert Beverley makes on the first page where he states that he supposed that there is no one living today who could draw as well as the worst artist included in his book. I felt that this was absolute codswallop, and still do, but once I gave him a chance to speak he completely changed my understanding!
Many people feel that if you can copy something exactly as you see it then you are an accomplished artist. This might be true in this era where drawing is hardly the number one subject in school. The beauty of Hales book is that he expounds the subtle and brilliant secrets of masters of the past, most of whom came from a time pre-camera, when drawing and consequently painting was a true science, a deep and profound study of 3D form, underlying anatomy, exquisite subtleties of tonal light CREATED IN THE ARTISTS HEAD and not neccessarily what was seen ( real light moves constantly anyway!)
So, if you are a dedicated and passionate art student or artist who is prepared to humble yourself and really learn to draw, then this book and indeed all of R.B.Hales books including his 'Artistic Anatomy' with Paul Richer is for you. Please feel free to write to me with any questions regarding classical drawing.
135 of 140 people found the following review helpful.
Hale is a Master teacher
By Gerald Sequeira
As an artist that did not go to art school, I have constantly searched for instructional books only to be disappointed in finding stupid books written for people who are not serious about art and have no discipline. All of Hale's books, especially this one, are supremely intelligent and extremely insightful. after reading his book you'll gain insight to judge good drawing from a bad ones, a skill every serious artist should strive to have. Hale will help you see drawing in a new light and send you on your way to growth. Since he uses drawings by artists such as Raphael, Tintoreto, Rembrandt and Rubens, you'll be learning from the masters themselves, not from some mediocre artist. The only negative about the book, if it can be called a negative, is that after 100 drawings you want more. I learned more from this one book than through all the art books I have read before, and more than almost all the art classes I have taken, put together.
86 of 92 people found the following review helpful.
Best drawing book available.
By John J. Healey
I can't say enough good things about this book. Robert Beverly Hale was considered one of the past century's greatest instructors of drawing and artistic anatomy. This book shows why he is held in such high regard. It provides numerous examples of old master drawings with Hale's penetrating insights regarding why the drawings are great. A master teacher discussing master drawings - it doesn't get any better than that!
Remember, the old masters themselves used to copy master drawings when they were students learning how to draw. Follow their example. This book also has a wonderful section on artistic anatomy. Anatomy is very important, and can't be stressed enough. It provides the foundation of all good figurative art, whether it be drawing, painting, or sculpture. This book, besides discussing and analyzing master drawings and what makes them great, also provides the best introduction to artistic anatomy that I've seen.
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